Three must pick-up classics that tell a story of prejudice.

Ink drawing of an open book and a sealed envelope.
Suryadathan E

By Suryadathan E

A content strategist, copywriter, and content writer. Aspiring writer, on my way to write my first ever book!

@suryadathan_
3 min read

The interesting part of a classic is often the rule the characters never question out loud. These three books show prejudice by letting people live inside it. Two of them are in the Typersguild library. One is not.

The Great Gatsby

The plot is the one from the film. Jay Gatsby, newly rich, wants Daisy Buchanan back. The prejudice is class, and it is casual. Nick spends the book watching people with money treat everyone else as entertainment or as a mess. Tom Buchanan's affair and the valley of ashes are the same system seen from two ends: the people who can leave, and the place they leave behind.

Fitzgerald's clearest move is that nobody in the rich rooms thinks they are being cruel. They think they are being normal. The book is not in the Typersguild library right now, so read it wherever you already get books. The two below are, and you can type them.

Frankenstein

The doctor's name is Frankenstein. The being he builds is not. Mary Shelley has him assemble a body, bring it to life, and then recoil. The creature starts ignorant and becomes articulate by watching a family through a chink in a wall. He learns their language and their kindness. When he steps into the room and they see his face, they drive him out.

That is the prejudice in one scene. He has done the work of becoming a person they could talk to, and the look cancels it. The damage afterward follows from that refusal, not from a nature he was born with. Type it on Frankenstein. The sentences are long because he is arguing his own case. The length is the point.

A Room with a View

E. M. Forster follows Lucy Honeychurch through Florence and then back into an English life that already has a plan for her. The prejudice is about what a young woman is allowed to want, and it is enforced by people who love her. Charlotte Bartlett and Lucy's mother are not villains in their own minds. They are keeping Lucy inside a respectable room, which is the joke of the title: she asked for a view, and the pension offered her a wall.

Cecil Vyse is the suitable future. George Emerson is the indecent one, mostly because he says what he means. The book is funny, and it is plain about how small that approved life is. Type it as A Room with a View. Reading it shows you the constraint. Typing it slows you down on the conversations where the constraint is enforced, which are politer than they look.

Type them instead of only summarizing them

A summary lets you skip the sentence that does the work. Typing does not. Typersguild uses public-domain books as the text, so the practice and the reading are the same hour. Typing books vs typing tests is why that hour beats a word list. If you want the syntax rather than the theme, How Regular Practice Can Transform Your Writing starts from the first sentence of Pride and Prejudice. If you want a shorter text first, search the author on Wikipedia and type the article.

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